StoneCrabs Theatre Mishima Double Bill Hanjo & Hell Screen について・・・
Presented as part of the UK-Japan 150 Festival, both plays are infused with a strong sense of loneliness, and the need for, pursuit and possession of love. Mishima's characters become tragic heroes/heroines trapped inside their own desires.
Framed within the poetry of the playwright's modern texts, derived from the constructs of Noh (a major formof classic Japanese music drama) and Kabuki (highly stylised classical Japanese dance drama), these plays explore contemporary issues which have pre-occupied us since time immemorial.
Hanjo 班女 Translated by Donald Keene
In this bittersweet story of unrequited love, the beautiful Hanako looks for her lover, Yoshio, at a train station. With an opened fan in her arms, peering into the face of every man who alights, she returns each time disappointed to her waiting-room bench. Will her lover return to her, or will she continue her lonely search. Meanwhile. Jitsuko, who bought Hanako from her geisha contract, does all she could to retain the status quo.
Hell Screen 地獄変 Yukio Mishima's adaptation of Akutagawa's short story
"Jigoku Hen"
When Yoshihide is commissioned by the Lord Horikawa to paint Hell, he sets about having his sadistic vision recreated live before him so that he may paint it with measured strokes... Revealed in a cup of sake with a crimson maple leaf floating on it, his conceit comes with a hellish twist-- causing a beautiful maiden to be roasted alive in the inferno of a falling carriage. Such is the price of true art.
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